Go. Is her husband as zoned out as he seems or is that only her perception? An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. It's why vandals paint Evas house in red, and neighbours take out their anger on her. Kevin keeps the secret of how this happens and a strange complicity develops between the mother and son. Of course, that mental illness is presumed by viewers. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. Kevin, it seems, has a method to his madness. She could move away for a fresh start, but she's shown setting up a room for him, complete with his navy blue bedding and Robin Hood book. Reddit and its partners use cookies and similar technologies to provide you with a better experience. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. The real monster is expecting nothing less than unconditional love. He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. He was exactly right. Swinton is collecting a bevy of early plaudits and nominations, as well she should. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. Stripes provide Kevins character a continuity while shedding light upon his individuality. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. Ramsay simulates these associative memories, jumping back and forth between the past and the present. Meanwhile, Kevin is planning something that would shatter Evas world forever. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. Will, get up. As she leaves, a troupe of tiny ballerinas in tutus run past her. This review of the film was originally published on December 22, 2011. Movies. So, I think it'd be really, really cool to see if they came up with something else. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. But we can safely assume that Kevin did not literally eat the eyeball. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. Kids banging on the door on Halloween in the present evokes a memory of young Kevin throwing all his food at the fridge. While Ant-Man and the Wasp: Quantumaniadidn't bring back several mainstays of the wider Ant-Man family, the film did introduce a number of new allies, namely Jentorra and her Freedom Fighters. Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. There is some resentment over Kevin's arrival deterring her professional ambitions. In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. He is pursuing a Licentiate in Sacred Theology at Heythrop College in London. Each rewatch only feels more rewarding because Ramsay is so pure and gifted a filmmaker she rattles and revises our preconceptions of what a movie and yes, mother too can be. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Eva and Franklin never seek psychiatric help for their son; they can't talk about Kevin without fighting. While the film isn't as explicit as the book, both versions of Eva are grappling with Kevin's final answer as they wonder if it's even worth feeling weighed down by the question of responsibility. For full Oscars coverage and commentary by its reviewer, Fr. See production, box office & company info. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. Now, mommy wakes up every morning and wishes she was in France! Then she goes home. There are two really great examples of this: the first is the bow. Fr. For the first portion of the film, the leaps back and forth in time caused needless confusion. Menu. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. Starring: Tilda Swinton, Ezra Miller, John C. Reilly. Go do something. Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. Kevin is seen at three ages. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. Selena Gomez recently opened up on how the autoimmune condition is affecting her weight due to water retention from all the medication in her recent Tik-Tok live stream. We see it in her bond with the more amiable Celia. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. Eva gets pregnant for a second time and gives birth to a little daughter Celia. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. Eva finally asks why he did it. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. For Kevin, maternal love and attention have become completely conflated with disgust and fear. Maybe he is subtly telling others that his mother does not take care of him. The ending of the film leaves Eva's fate up in the air. Kevin poops in his pants, and thinking this act to be deliberate, Eva throws him to the ground, breaking his arm. KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Eva rushes to the school to see Kevin getting arrested. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Only with her because his father was at work whole day and saw his son for like an hour a day. Copyright 2023. ET. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. For more information, please see our Swinton told me of a line in the script that wasn't used, wisely, I believe. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. He seems to recognize that he has some advantage over her. 2023 Cinemaholic Inc. All rights reserved. The Bad Mother refers to oppressive puritans like Margaret White in Carrie. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. Maybe everything else is intended to be a flashback, and the timeline begins when she finds out what Kevin did at his high school. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. True paternal love would have been expressed as abiding concern for the man his son could grow up to be if there really was a danger of mental illness, and result in the appropriate physical and mental health care to avoid a catastrophe. We also did a lot of blue screen work before, which really helps with the imagination. Neither parent punishes him or seeks outside help, leaving him to his own devices. After you see the film, think about it. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. The light outside disappears. Although these two terms are often used interchangeably in colloquial use, there are some mild differences between these two categories of personality disorders. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. If you are having trouble tying loose ends, let us assist you in the process. KATY: Yeah, I mean, this obviously had the difference between TV and movie. Directed by: Lynne Ramsay. Kevin, it seems, is a volatile Holden Caulfield for the generation. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. Her emotional state doesnt change even when Kevin is born. So I am thinking, was he born evil from the very beginning and she knew it and treated him alike evil from the very beginning? March 1, 2023, 6:00 a.m. By using our Services, you agree to our use of cookies. This is why, in the final scene, he no longer knows why he performed the massacre. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. SPOILERS AHEAD. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. It'd be so much fun. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. The point here is not to understand Kevin at all. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. Footsteps approach the tent and a figure walks past. For those of us in the northern hemisphere, we have officially entered the dead of winter that time after Christmas and New Years when, Earlier this year my home parish welcomed a new associate pastor. Where do you think Jentorra's story goes next? Kevin and Eva look similar, and in many scenes, Kevin and Eva wear similar clothes. KATY: Oh, I'd love to come back. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. Therefore, when Kevin shows Eva the scar from the childhood accident, he tells her that it is the most honest thing that Eva ever did to him. Did your prior experience help prepare you for some of what to expect on Quantumania? In an ordinary movie, there would be scenes in classrooms, meetings with counselors, heart-to-heart discussions between the parents. Kevin examines both our darkest moments and those slivers of Grace that sustain us. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. So, seeing Kathryn, to me, her character Cassie was just someone who didn't understand the reality of the situation. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. Would any interference have prevented him from becoming a killer? When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. Directed by Lynne Ramsey ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. BBC Films And it works - Eva's confrontation was brutally dishonest, but after his reaction she's barely containing her seething rage and the truth of it is all over her face. That's a deeply human tale, and it calls to us, and I think that's why I see takes on the movie saying that it even encourages the viewer to think evil is in our nature and is immutable. For full Oscars coverage and commentary by its reviewer, Fr. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Updated Date: KATY: Yeah, I was so jealous, because I really loved it. The sound of him savouring the juicy fruit a fruit he doesn't even like in deliberate crunches of sinister delight becomes unsettling when paired with the thought of Celia's lost eye. and our Will she continue living in their hometown, where she's harassed by locals who blame her for the deaths? Ironically he becomes a miniature doppelganger of her, all sharp angles and androgynous countenance lying in direct contrast to the lovably rounded and craggy features of his father. This review of the film was originally published on December 22, 2011. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. So is Amelia in The Babadook. She asks Kevin why he didn't kill her. The colour red is a recurring motif in the film. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. This is not entirely his fault. In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. But he hates her the most due to her pretense and dishonesty, it seems. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. Crypto Eva takes incessant trips down memory lane to cope with her past loss. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. That the film works so brilliantly is a tribute in large part to the actors. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. Kevin does not play ball, and he becomes increasingly manipulative. Kevin is a story of hope for a new millennium, an Its a Wonderful Life in the age of school shootings and planes crashing into buildings a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? Keep your comments focused on the film. Cookies help us deliver our Services. She makes one feel her strung to the breaking point tension in scene after scene. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. The shelves and tabletops are as barren as those in a display home. It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. I think that she and Jentorra had a huge past together. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. What makes this all worthwhile is the fact that Tilda Swinton is simply an astonishing actress who can bring off anything. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). It is so ingrained in our culture even a fellow grieving mother slaps her in the parking lot. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? But when he just sits there frowning, she expresses real disgust towards him. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. When he breaks his arm? All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. May 12, 2021 12:33:39 IST. Home | Don't post randomness/off-topic comments. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. A demon seed. The impressionistic nature of the film does not blurt out the whole truth, and the audience has to make their own journey to construct the meaning. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. We Need to Talk About Kevin: Directed by Lynne Ramsay. KATY: It was really different, obviously, than the comic book version. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. to revoke its approval of the two main drugs used for medication abortion in the United States. 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